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  Spade Cooley & Tex Williams

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Author Topic:   Spade Cooley & Tex Williams
Jim Cohen
Member

From: Philadelphia, PA

posted 14 June 2000 07:34 AM     profile     
From www.tipworld.com

SPADE COOLEY SUPPLIES ALL THE MEMBERS OF TEX WILLIAMS' BAND


In the early '40s, fiddler Spade Cooley led the most sophisticated band in western swing. Along with standard fiddles and steel guitars, Cooley used such unorthodox instruments as the pedal harp. His lush orchestral sound was extremely popular with his Southern California audiences, and his weekly concerts at the Venice Pier Ballroom routinely drew thousands of dancers. Cooley's music may have been smooth, but he had a famously nasty temper. In 1946, Cooley got into an argument with his singer Tex Williams and fired him. Capitol Records promptly signed Williams, who had just recorded the vocals on Cooley's biggest hit, "Shame on You." Williams also took most of Cooley's band with him, including the pedal harp, and renamed them the Western Caravan. Their first song, "California Polka," did only moderately well. For the Western Caravan's second record, Williams
turned to his friend Merle Travis, who wrote "Smoke! Smoke! Smoke! (That Cigarette)" for him. The record was a huge hit for Williams and became his signature song.

(Actually, Tex got off pretty easy, just being fired, given Cooley's "notorious" temper!)

Jason Odd
Member

From: Melbourne, Victoria, Australia

posted 14 June 2000 08:59 AM     profile     
I think Tex would have been in more danger if he was married to Spade.
OK, now that's my cheap shot for the year.

Spade had a truly sensational group, and when Tex led the Western Caravan they were better in a lot of ways.
"Smoke! Smoke! Smoke! (That Cigarette)" is a true classic, but gives little indication of what Smokey Rogers, Cactus Soldi, Joaquin and the others could do.
And yes Spike Featherstone on harp!

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The future ain't what it used to be

Smiley Roberts
Member

From: Hendersonville,Tn. 37075

posted 14 June 2000 09:48 AM     profile     
Another one of Spade's harp players,Lloyd Lindroth,lived & worked,right here in Nashville,at Opryland Hotel,for a while. Unfortunately,he passed away several years ago,from a heart attack. He had open heart surgery shortly before that.I happen to see the contract,between him & Spade,on his office wall,one day.He was making...(are you ready)...$75 a WEEK. Boy,you just can't make that kind of money,anymore. At least not in Nashville.

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  ~ ~
©¿©
mm
-=sr€=-
Earl Erb
Member

From: Old Hickory Tenn

posted 14 June 2000 02:04 PM     profile     
I worked for Lloyd Lindroth at the Opryland Hotel from June 1985 to July 1987.Those happened to be my last 2 yrs in the music business.He showed me an old album cover with the Spade Cooly Band picture on the front and he was in it.Lloyd was a lot older than he wanted people to believe.He told me he was in his early 20s when he worked for Spade.
Death by heart attack? Knowing his life style... I'll say there was more to the story than that.Lloyd didn't have any health problems when I worked for him and didn't have his bypass operation until after I left his employment.
Janice Brooks
Moderator

From: Pleasant Gap Pa

posted 14 June 2000 04:02 PM     profile     
On my one trip to Nashville I did get to see Lloyd in Oct 1990.

As for Spade Cooly material I'm wondering the date and the vocalest on "You Clabberd Me

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Janice "Busgal" Brooks
ICQ 44729047

Herb Steiner
Member

From: Cedar Valley, Travis County TX

posted 14 June 2000 04:04 PM     profile     
$75 a week? Wow!! Great bucks!! Joaquin told me he made $52.50 a week with Tex Williams, and that included club gigs and a radio show.

Record sessions were extra, of course. Probably like $15 or $20, something like that.

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Herb's Steel Guitar Homesite

Jim Cohen
Member

From: Philadelphia, PA

posted 14 June 2000 05:58 PM     profile     
Ah, yes, the "golden era" of steel guitar...
Jerry Hayes
Member

From: Virginia Beach, Va.

posted 14 June 2000 06:54 PM     profile     
Man I'm listening to a CD in my computer as I type this which is to good to be true! It's Vintage Collections by Tex Williams and his Western Caravan. This is on Capitol Nashville (Vintage). It has 20 songs of which about 5 or 6 are instrumental. Joaquin does a great version of Steel Guitar Rag on this one. On a couple of cuts I thought I was hearing a real hot lead guitar player when a couple of little slides gave it away as being a steel and it was the one and only Joaquin Murphy. Jimmy Bryant is also featured on the instrumental break to a song called Wild Card. Another great thing about this CD is it's got complete information about the session musicians and dates of the sessions. Considering this stuff was recorded in the 40's that's pretty cool. I guess I probably play this thing more than any CD I own!

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Have a good 'un! JH U-12

Billy Jones
Member

From: Medicine Hat, Alberta, Canada

posted 14 June 2000 10:42 PM     profile     
I played Murphy's guitar on the dance portion of Spades show in August of 1955. Their pay rate is a surprise to me. I just happened to down there at the time with King Ganam at Spade's request. In Toronto, I was doing 2 network radio shows and 2 dance gigs a week and I was making $300. I guess we were doing alright. Our material was very similar to Spade's. ...Billy
Al Marcus
Member

From: Cedar Springs,MI USA

posted 15 June 2000 08:19 PM     profile     
I remember when our band played at the Governor's Ball in Phoenix around 1972, Tex Williams was the guest artist . I had my push pull D10 Emmon then. He did his usual "Smoke, etc" then did a recitation of "Battle Hym of the Republic" . He did a beautiful job of it, and everyone paid attention. I was lucky to be able to play the solo behind him. A very moving experience.....I liked Spade Cooley, because he was modern and Jazzy. I got drafted for WWII just before I was going to audition. But they made out real good, got some hot picker named Murph..Hearing about the pay scale in country music, makes me remember why I didn't play with country bands. Playing POp in Hotels and plush supper clubs paid about 3 times more.Of course I had to double on guitar to do it. I liked to play Country and Western music but had to put food on the table.So you do what you have to do......al
Jason Odd
Member

From: Melbourne, Victoria, Australia

posted 16 June 2000 06:38 PM     profile     
Hey guys, do you think there was a hotter Californian swing band than this one, Tex and his 1940's band were hot!
sure there were a lot of groups around, Spade and Hank Penny had some killer pickers, but I'd have to say that this was 'the'Western Swing group to come out of the Ballrooms.

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The future ain't what it used to be

Bill Stafford
Member

From: Gulfport,Ms. USA

posted 16 June 2000 06:50 PM     profile     
Did any of you old timers hear Lawrence Welk's Western Swing Band in that era? He put one together from the musicians in his orchestra just for kicks and knocked the sox off all the others just for fun.
Bill Stafford
Jim Cohen
Member

From: Philadelphia, PA

posted 16 June 2000 10:19 PM     profile     
No kidding!? Welk was a fan of western swing??? Who woulda thunk it? Did they ever record anything? If so, I'd love to hear it (I think)...
Tim Rowley
Member

From: Pinconning, MI, USA

posted 16 June 2000 10:42 PM     profile     
Back to Tex Williams for a moment. If memory serves me correctly, I believe Tex used "Pedro" DePaul on accordion. I read somewhere (maybe here) that Pedro had recently passed away. Chuckle if you want to about accordions, but they MAKE the western sound and Pedro knew how to do it. Tim R.
Herb Steiner
Member

From: Cedar Valley, Travis County TX

posted 17 June 2000 08:23 AM     profile     
Yes, Tex used Larry DePaul on accordion. He died July 28 of last year. There is an excellent article on "Pedro" in the Journal of American Country Music, a few issues back. Just a few thumbnail facts:

DePaul came from Ohio, and knew Smokey Rogers and Cactus Soldi in Chicago. Smokey and Cactus got him to move to California when they got their jobs with Spade's group in 1942. Larry was a very schooled musician who played all the instruments but primarily was a violinist. He wrote all the charts/arrangements for both Spade's and Tex's bands, and was sort of stifled by the fact that "Spade really could only play in First Position."

When he went into the Army for a couple of years, George Bamby took the accordion chair and contributed to writing "3-Way Boogie" and other Spade classics. When Pedro returned, George went with the Plainsmen. George died in 1995.

After the Western Caravan went away, DePaul moved to San Diego and taught a variety of musical instruments there. He later moved to the Northwest.

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Herb's Steel Guitar Homesite

Steve England
Member

From: Austin, TX

posted 20 June 2000 08:28 AM     profile     
According to the sleeve notes on the CD "Spade Cooley's Big Band 1950-52"(I got to track twelve before I even heard a steel guitar or fiddle ), Lawrence Welk was a buddy of Spade Cooley and sometimes used to front Spade's band.
Herb Steiner
Member

From: Cedar Valley, Travis County TX

posted 20 June 2000 08:40 AM     profile     
Take it from a kid who grew up in Hollywood in the early 1950's.... Lawrence Welk was BIG!!! Television was very new and quite a novelty, and Lawrence had the foresight to get in early and had the top show in LA, broadcasting from the Aragon Ballroom and the Hollywood Palladium.

Spade obviously saw LW's success and wanted to emulate it. I used to watch Spade on TV both with the big band, and later with the all-girl orchestra he had in the mid-50's. I, as a kid, could not differentiate between the two, and my parents (big band fans but not western swing fans) couldn't tell the difference either.

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Herb's Steel Guitar Homesite

Smiley Roberts
Member

From: Hendersonville,Tn. 37075

posted 20 June 2000 12:03 PM     profile     
Hey Herb,
I use to play a place called,"The Arrogant Ballroom". Ever hear of it?? I think it was in N.Y.C.

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©¿©
mm
-=sr€=-

[This message was edited by Smiley Roberts on 26 June 2000 at 12:36 PM.]

Perry Hansen
Member

From: Bismarck, N.D.

posted 22 June 2000 05:29 AM     profile     
In the late 50s, Smokey Rodgers, Pedro DePaul, Cactis, and Tommy Termine(sp) were at the Bostonia Ball room in El Cajon Calif. In fact, that,s where I met Buddy Emmons for the first and last time. He was there with The Tater. I don't remember the rest of Smokeys group, but thay were great.
Perry
Jason Odd
Member

From: Melbourne, Victoria, Australia

posted 22 June 2000 07:52 AM     profile     
Perry, that's where Sneaky Pete Kleinow joined them in 1958, replacing Joaquin.
He might have been in the group when you were there?
Perry Hansen
Member

From: Bismarck, N.D.

posted 23 June 2000 04:57 AM     profile     
Jason, Sneaky Pete was with Don And Roy Hogshead(Cocain Blues) when I was there. In fact I wound up with Sneaky Petes Four neck stringmaster with two Bigsby pedals.
Perry
Jason Odd
Member

From: Melbourne, Victoria, Australia

posted 23 June 2000 07:10 AM     profile     
Perry, small world..

quote:
Early one morning while making my rounds, took a shot of cocaine and I shot my woman down

Bill Stafford mentioned to me just recently that Roy and Don had a band at the College Inn, in downtown San Diego, and he used to play steel with them at one stage..I suppose early 1960's.

Even weirder, the day I got the email I heard a smokin' bluesy version of the song 'Cocaine Blues'..Perry, have you still got the Stringmaster?

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The future ain't what it used to be

Janice Brooks
Moderator

From: Pleasant Gap Pa

posted 24 June 2000 06:28 PM     profile     
quote:
I use to play a place called,"The Arrogant Ballroom". Ever hear of it?? I think it was in N.Y.C.

Wa that the place in Ca where Lawrence Welk
filmed his shows ? Funny coinsidence i was rereading Rosetta Wills book this week and
Prior to being the Arrogant ballroom it was
Will's Point which was Bob Will's home base
around 1950.


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Janice "Busgal" Brooks
ICQ 44729047

[This message was edited by Janice Brooks on 24 June 2000 at 06:29 PM.]

bill graham
Member

From: usa

posted 24 June 2000 11:44 PM     profile     
I was playing in Dean Beard's band in Odessa, Texas in 1960. We had just called a break and as I was taking my bass off with my back to the audience I heard this voice say, "You've got to be the best bass player in Texas..." Without turning around, I replied, "and you've got to be Tex Williams !!" It was. When I moved to L.A. I played on one of his sessions with Jaydee,Archie Francis and Al Bruno. I never saw the album, but as best I remember, one of the songs was titled "I'm So Close, I Can Taste It". He blushed everytime he sang it.He was a sweet guy..I think we'll see him again.
Jason Odd
Member

From: Melbourne, Victoria, Australia

posted 25 June 2000 09:01 AM     profile     
Yeah, all right Bill.
Now all I need to do is find a copy, what a session group!
Perry Hansen
Member

From: Bismarck, N.D.

posted 27 June 2000 09:03 AM     profile     
Jason, No I don't have that Stringmaster. I sold it to a man named Johnny Cox in San Diego and bought a Fender 1000 which I sold in Hawaii. However, I played on it for a couple of years in the early 60s in Anchorage Alaska. I think Johnny sold it to a Native in Nome around 65.
Perry
Jason Odd
Member

From: Melbourne, Victoria, Australia

posted 27 June 2000 05:22 PM     profile     
Did Johnny Cox work with Freddie Hart in the Heart Beats?
{actually, now I think I'm thinking of Jimmy Fox?}

How about Muddy Berry who was the drummer who went from Cooley's band to The Western Caravan with Tex, which by the way was a profit sharing democratic group when they first formed. They were all sidemen who didn't want to be sidemen in their own group.
Muddy later became a real session drummer and even played on a Ventures LP, plus some Buck Owens sessions with Ralph Mooney, Jim Pierce, Bobby Austin, Don Rich and Buck of course.

Herb Steiner
Member

From: Cedar Valley, Travis County TX

posted 27 June 2000 05:33 PM     profile     
Muddy Berry was Joaquin's favorite drummer. He volunteered that one time, and I asked him about Warren Penniman, another great Western Caravan drummer. He said "Warren was okay... Muddy Berry, now..."

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Herb's Steel Guitar Homesite

Perry Hansen
Member

From: Bismarck, N.D.

posted 28 June 2000 03:53 AM     profile     
Jason. Johnny Cox real name was Hubert. Every one called him Baby Hughy so he decided to change his name. First he tried Dusty Cox, then decided he wasn't that old. Then he went to Rusty. That did'nt work either so we decided on Johnny. Fantastic non-pedal player. He never could get the hang of the pedals tho. He passed on about ten years ago. Great loss. BTW, we put the first country band in the Westerner in National City, Cal. Consisted of myself, Neal Hartung on drums, Glen Holoway on lead, Bud Crowder on Bass and vocals. Johnny took over for me when I left in 58. He also added Paul Harper on Fiddle.
\Perry
Jason Odd
Member

From: Melbourne, Victoria, Australia

posted 28 June 2000 06:05 AM     profile     
Thanks Perry, I can imagine him wanting to ditch the whole 'Baby Hughey' thing, a childhood friend of mine had the same problem believe it or not.
I actually started it when we were kids, after he tried to piggyback ride me at a barn dance while I was crossing the floor. Suffice to say the nickname came about after his weight brought me crashing to the floor.
Must have been all of ten years old at the time.
Is Bud still with us Perry?
Herb, sometimes I get blown away by the Swing drummers, the engine for such large groups, but really not given the recognition like the jazz guys.
Then you've worked with Johnny 'The Texas Drummer Boy' Cuviello, who actually cut a couple of showpiece tunes with Wills!
Perry Hansen
Member

From: Bismarck, N.D.

posted 29 June 2000 05:44 AM     profile     
Jason. I last heard from Bud asbout 6 years ago. He was in a small town in Arkansas flying a crop duster.
Perry
ROBERT LEE CRIGGER
Member

From: JOHNSON CITY, TENNESSEE

posted 04 July 2000 08:17 PM     profile     
JASON--Muddy Berry worked a trio with Phil Baugh and Eddy Downs at a place in Pomona, CA. for years---Very good trio--Of course with Phil, it sounded like 6 pieces---
Jack Stoner
Sysop

From: Inverness, Florida

posted 05 July 2000 03:34 AM     profile     
FWIW, I have a 78RPM record of Spade's Steel Guitar Rag. Same as what WCKY used to use for a theme song. I hate to say it but I bought it new...
Jason Odd
Member

From: Melbourne, Victoria, Australia

posted 06 July 2000 07:46 PM     profile     
Hi guys,I've been offline for a few days, hey Robert Lee, a trio with Muddy and Phil, yowza..that's etched in my brain now.
I suppose you would have hit California a bit late to see the Curtis Leach, Bobby George, Phil Baugh, Vern Stovall, Wayne Kemp bunch in action..Curtis and Vern split for Texas in '65, although it took Phil a bit longer to leave the area.

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The future ain't what it used to be

billchav
Member

From: Seabrook, Texas 77586 USA

posted 06 July 2000 09:45 PM     profile     
Herb, do you have an update on Merrill? that played steel for L.Welk, I think Welk gave him one the the first Fender Pedal Steels. Bill C.
Jim Bob Sedgwick
Member

From: Clinton, Missouri USA

posted 07 July 2000 05:58 PM     profile     
Guys: Excuse me for jumping in. Buddy Merrill (Lawrence Welk's group), lives in Temecula California, and is now playing weekends occasionally, mostly on Steel Guitar,. Welk rarely let him play steel, But he is a great player, especially on C-6 tuning (Sorry, Jerry Hayes, ) He is a very nice fella and fun to talk to about the "Old Days"
ROBERT LEE CRIGGER
Member

From: JOHNSON CITY, TENNESSEE

posted 10 July 2000 12:43 AM     profile     
JASON--Yes--I did get to Ca. a little late for Curtis Leach and Vern Stovall, and Wayne Kemp--but I met Vern when he came to visit Bobby George, and met Wayne Kemp in Nashville--he was Hal Wayne Vest's next door neighbor for awhile, and I was working with Hal on the road. I played in a band for about 6-7 months with Bobby George, Peaches Price, Jimmy Collins and Tony Goodman at a place called the "Brite Torch" in La Puente, Ca. I hung around with Bobby George off and on for about 5 years ---he was the best song writer I have ever met. Phil Baugh was working the trio during most of this time--I got to California Valentines day, 1966 and left in 1973-4 Very good times--

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